Sans Normal Symo 6 is a regular weight, normal width, high contrast, upright, normal x-height font.
Keywords: headlines, editorial, magazine, branding, packaging, fashion, refined, dramatic, modern-classic, display elegance, editorial voice, brand sophistication, modern refinement, sharp terminals, wedge cuts, calligraphic tension, sculpted curves, crisp rhythm.
A high-contrast text face with sculpted, tapered strokes and crisp, knife-like terminals that often resolve into small wedge cuts rather than bracketed serifs. Curves are smooth and tightly controlled, with a slightly calligraphic stress that gives round letters a lively thick–thin modulation. Uppercase forms feel stately and wide-shouldered, while the lowercase shows compact bowls, a two-storey g, and a distinctive long, curling descender on y that adds rhythm. Numerals follow the same contrasty logic, mixing sturdy verticals with elegant hairlines and open counters.
Best suited to headlines, decks, pull quotes, and magazine-style typography where high contrast and sharp terminals can shine. It can also work for premium branding and packaging, especially in short text runs and display sizes where its sculpted curves and tapered endings remain clear and intentional.
The overall tone is polished and contemporary with a strong editorial edge. Its sharp, refined detailing reads as luxurious and intentional, balancing classical contrast with a clean, modern finish. The lively curves and tapered endings add a hint of sophistication and drama without feeling ornamental.
The design appears aimed at delivering an elegant, high-fashion contrast with a clean, contemporary silhouette. It prioritizes striking letterform drama and a crisp typographic rhythm for display and editorial use, while keeping proportions familiar enough to remain readable in controlled text settings.
In paragraph settings the face maintains a confident texture with pronounced vertical emphasis and clear thick–thin cadence. The tight, pointed terminals and delicate hairlines can become visually prominent at larger sizes, where the sculptural cuts and sweeping descenders are most expressive.