Sans Superellipse Jubi 9 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Rice' by Font Kitchen, 'Chandler Mountain' by Mega Type, 'Crossfit' and 'Crossfit Core' by TypeThis!Studio, 'Breuer Headline' by TypeTrust, and 'House Sans' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, labels, sporty, assertive, dynamic, industrial, retro, impact, speed, signage, branding, display strength, slanted, compact, blocky, rounded corners, high impact.
A heavy, forward-slanted sans with compact, block-like proportions and rounded-rectangle construction in bowls and counters. Strokes are thick and fairly uniform, with clean, squared terminals softened by generous corner radii, producing a superelliptical feel. The forms lean into a condensed, poster-ready rhythm: uppercase shapes are sturdy and upright in structure despite the slant, while lowercase remains muscular with tight apertures and simplified joins. Numerals are chunky and stable, with the same rounded-corner geometry and strong vertical emphasis.
Best suited to short, high-impact settings such as headlines, posters, event graphics, and sports or motorsport-inspired branding. It can work well on packaging and labels where a bold, condensed, forward-leaning voice helps information stand out, and in UI moments like section headers where punch is needed more than neutrality.
The overall tone is energetic and forceful, reading like a performance or action voice. Its slant and dense color create a sense of speed and urgency, while the rounded corners keep it approachable rather than aggressive. The result feels sporty and industrial, with a subtle retro display flavor.
The design appears intended to deliver maximum impact with a streamlined, aerodynamic slant and rounded-rectangle construction. It prioritizes strong silhouette and rapid recognition in display sizes, aiming for a modern sport/industrial attitude while maintaining consistent, softened geometry.
Counters and openings tend to be narrow, so the face builds a very dark text color and benefits from ample tracking and line spacing. The italic angle is pronounced enough that long lines can feel fast-moving and attention-grabbing, especially at larger sizes.