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Free for Commercial Use

Sans Superellipse Arlor 5 is a very light, wide, low contrast, italic, tall x-height font.

Keywords: ui labels, headlines, posters, branding, product design, sleek, technical, futuristic, minimal, precise, modernize, streamline, add motion, tech aesthetic, geometric consistency, monoline, rounded, superelliptic, condensed joins, open counters.


Free for commercial use
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A monoline sans with softly squared, superellipse-driven curves and a consistent rounded-rectangle logic across bowls, counters, and terminals. The letterforms have a right-leaning slant, clean joins, and gently flattened curves that create a streamlined, engineered rhythm. Counters are open and relatively large for the stroke weight, with squared-off curvature in shapes like C, O, and e, and a single-storey a and g that keep the texture simple and uniform. Numerals follow the same rounded-rect geometry, producing a coherent, modern set for UI-style data and labeling.

Works well for contemporary UI labeling, dashboards, and interface headings where a light, airy texture and clean geometry are desired. It also suits tech-forward branding, product wordmarks, packaging, and posters that benefit from a distinctive rounded-rectangle voice and an italicized sense of motion.

The overall tone is sleek and contemporary, with a slightly sci‑fi/tech flavor driven by the superelliptic rounding and forward-leaning stance. Its minimal detailing and crisp geometry feel efficient, calm, and system-oriented rather than expressive or calligraphic.

The design appears intended to blend modernist sans simplicity with a superelliptic construction, delivering a recognizable soft-square personality while remaining highly streamlined. The slanted stance and minimal stroke modulation suggest an emphasis on speed, modernity, and a technical, interface-ready feel.

The thin strokes and smooth rounding emphasize clarity at display sizes, while the superellipse construction gives the text a distinctive "soft-square" silhouette compared to purely circular grotesks. Diagonals (A, V, W, X, Y) appear clean and taut, reinforcing a precise, engineered impression.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸