Sans Superellipse Gugoj 5 is a bold, normal width, monoline, upright, tall x-height, monospaced font visually similar to 'Mono Spec' by Halbfett, 'British Vehicle JNL' by Jeff Levine, and 'Charles Wright' by K-Type (names referenced only for comparison).
Keywords: ui labels, dashboards, posters, packaging, signage, industrial, utilitarian, techy, retro, friendly, uniformity, robustness, system look, clarity, approachability, rounded, compact, blocky, soft corners, sturdy.
A heavy, blocky sans with a strongly geometric construction built from rounded-rectangle and superellipse-like curves. Strokes appear even and consistent, with squared terminals softened by generous corner radii, giving forms a sturdy but not harsh silhouette. Counters are compact and fairly closed in letters like B, R, a, and e, while round characters (C, G, O, Q, 0) read as squarish ovals. The lowercase is large relative to the capitals, with short extenders and a prominent, compact rhythm; punctuation and numerals match the same squared, rounded treatment for a highly uniform texture.
It performs well in contexts that benefit from a strong, uniform texture: UI labels, dashboard readouts, device graphics, and technical branding. The weight and compact counters also make it effective for headlines, posters, and packaging where a bold, industrial voice is desired and the rounded geometry can soften the impact.
The overall tone feels practical and engineered—like labeling, instrumentation, and interface typography—while the rounded corners add approachability. It carries a mild retro-computing/terminal flavor without looking delicate, and it projects a solid, dependable voice suited to clear, no-nonsense messaging.
The design appears intended to deliver a robust, system-like sans with a rounded-rect geometry that stays consistent across letters and numbers. It prioritizes uniformity, sturdiness, and quick recognition at a glance, balancing an engineered structure with softened corners for a more approachable feel.
The sample text shows a dense, dark color on the line with consistent spacing and a distinctly modular feel. Character shapes emphasize simple, closed structures (notably the single-storey a and g), and the numerals are wide and chunky with minimal contrast, reinforcing a signage-like, workmanly personality.