Sans Superellipse Gimib 2 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Outlast' by BoxTube Labs, 'Neuron Angled' by Corradine Fonts, 'Midsole' by Grype, and 'Flintstock' by Hustle Supply Co (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, techy, industrial, sporty, confident, playful, impact, modernity, clarity, branding, geometry, rounded, blocky, squared, soft corners, compact.
A heavy, rounded-rectangle sans with a distinctly squared construction and generously softened corners. Strokes are consistent and sturdy, with apertures and counters shaped like superelliptical cutouts that keep interiors open despite the weight. Curves tend to resolve into straight segments and flat terminals, producing a crisp, engineered rhythm; diagonals and joins stay clean and compact. Proportions emphasize a tall lowercase with short ascenders and minimal overshoot, giving words a dense, uniform silhouette that remains highly legible at display sizes.
This font performs best in headlines, short copy, and brand marks where a bold, geometric voice is desirable. Its compact, squared forms and open counters suit posters, packaging, apparel or sports branding, and tech-facing graphics, and it can also work for UI labels or signage when used at comfortable sizes with ample spacing.
The overall tone is modern and assertive, mixing a utilitarian, machine-made feel with friendly rounding. It reads as energetic and contemporary—well suited to bold statements—while the softened geometry prevents it from feeling harsh or overly aggressive.
The design appears intended to deliver maximum impact through a compact, geometric construction that stays friendly via rounded corners. Its consistent modular shaping suggests a focus on strong brand recognition and clear, punchy display typography.
The design relies on repeated modular shapes (rounded rectangles and squared bowls), creating strong internal consistency across uppercase, lowercase, and numerals. Round characters like O and 0 appear more squarish than circular, reinforcing the geometric theme, while the punctuation and straight-sided forms contribute to a clean, signage-like presence.