Sans Faceted Tymi 5 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, ui labels, signage, techno, industrial, futuristic, arcade, utilitarian, geometric system, tech aesthetic, display impact, grid consistency, industrial clarity, octagonal, chamfered, stencil-like, modular, monoline.
A geometric, monoline sans built from straight segments and clipped corners, replacing most curves with crisp chamfers. Counters tend toward squarish, octagonal forms, and terminals are flat and decisive, giving the outlines a machined, faceted feel. Proportions are compact with a steady cap height and an even, modular rhythm; widths vary modestly by letter, but spacing stays consistent and grid-friendly. Numerals and punctuation follow the same angular logic, maintaining a uniform stroke presence and clean silhouettes.
Best suited for display applications where its angular construction can read cleanly: tech branding, game titles, sci‑fi or industrial posters, packaging, and interface labels or HUD-style graphics. It can work for short paragraphs at larger sizes, but its distinctive faceting is most effective in headings, logos, and concise messaging.
The font conveys a technical, engineered tone with strong associations to sci‑fi interfaces, arcade-era digital graphics, and industrial labeling. Its sharp facets and strict geometry feel purposeful and contemporary, projecting precision and restraint rather than warmth or expressiveness.
The design appears intended to translate a rigid geometric grid into an approachable sans, using chamfered corners to suggest speed, hardware, and modern fabrication. By maintaining consistent stroke weight and simplifying curves into facets, it aims for a robust, easily reproducible look that feels at home in digital and industrial contexts.
Diagonal construction is prominent in letters like K, V, W, X, and Y, reinforcing the planar aesthetic. Openings and joins are kept simple and squared, which preserves clarity at display sizes while emphasizing the font’s schematic, systemized character.