Sans Normal Ebdam 14 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Minimalism' by Adita Fonts, 'HD Node Sans' by HyperDeluxe, 'Hergon Grotesk' by Katatrad, 'Live Grotesk' by Matt Chansky, 'Metro Sans' by Studio Few, 'Kommon Grotesk' by TypeK, 'Herokid' by W Type Foundry, and 'Cern' by Wordshape (names referenced only for comparison).
Keywords: ui text, product design, presentations, captions, data display, clean, modern, neutral, technical, efficient, functional clarity, oblique emphasis, modern utility, system consistency, oblique, humanist, rounded, open, crisp.
A clean oblique sans with rounded bowls, open apertures, and mostly monoline strokes. The letterforms are built from simple geometric curves but keep a slightly humanist rhythm through tapered joins and gently varied angles, especially in diagonals. Counters are generous and shapes stay uncluttered, giving the alphabet a clear, even texture in continuous text. Numerals and capitals follow the same straightforward construction, with smooth curves and minimal detailing for consistent readability.
Works well for interface copy, product communication, and editorial sidebars where a crisp oblique voice is needed without heavy stylization. The open shapes and even color support captions and small-to-medium sizes, and the straightforward numerals suit dashboards, labels, and lightweight data typography.
The overall tone is modern and matter-of-fact, with a subtle forward-leaning dynamism from the slant. It feels pragmatic and contemporary rather than expressive, projecting clarity, speed, and a lightly technical confidence.
Designed to provide a clear, contemporary sans in an always-oblique stance, balancing geometric simplicity with enough humanist warmth to stay readable in paragraph settings. The goal appears to be a versatile, professional italic companion suited to modern digital and brand systems.
The italic angle is consistent across uppercase, lowercase, and figures, helping blocks of text feel cohesive. Terminals are simple and largely unadorned, and rounded forms (notably in C/G/O/Q and e/c) emphasize a friendly, accessible neutrality without becoming soft or playful.