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Free for Commercial Use

Outline Nipi 4 is a very light, narrow, very high contrast, upright, short x-height font.

Keywords: headlines, posters, logotypes, packaging, invitations, art deco, elegant, theatrical, delicate, vintage, display, decorative, vintage mood, luxury feel, poster impact, monoline, inline detail, wireframe, open counters, geometric.


Free for commercial use
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A delicate outline design with monoline contours and a subtle inline/secondary stroke that creates a double-drawn, wireframe effect. Forms are predominantly geometric with smooth, rounded curves in C/O/Q and clean, straight-sided construction in E/F/H, while diagonals in A/V/W/X add a crisp, architectural rhythm. Terminals are generally blunt and tidy, with occasional small curls and hooks (notably in some lowercase and the Q), giving the set a slightly ornamental finish. Spacing reads open and airy, and the thin contour work emphasizes silhouette over fill, keeping the color light even at larger sizes.

Best suited for display settings where the outline structure can remain crisp—headlines, posters, logotypes, packaging, and invitation-style collateral. It works particularly well when paired with simple supporting text and generous whitespace, and it benefits from high-contrast printing or screen rendering.

The font conveys a refined, vintage glamour with a stage-poster feel—more decorative than utilitarian. Its airy outlines and inline detailing suggest sophistication and a touch of whimsy, balancing sleek geometry with small calligraphic flourishes.

The design appears intended as a decorative outline face that evokes classic early-20th-century display typography through geometric structure and inline embellishment. Its primary goal is visual character and silhouette-driven impact rather than dense, continuous reading.

The outline construction and internal line detail can visually thicken where strokes converge (for example in M/W and some numerals), so clarity depends strongly on size and contrast. Lowercase shows a more playful, looped personality compared to the straighter, more monumental uppercase, which can be used intentionally for typographic hierarchy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸