Sans Faceted Urri 5 is a very bold, very wide, low contrast, upright, tall x-height font visually similar to '946 Latin' by Roman Type, 'Hyperspace Race' by Swell Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming, sports, futuristic, industrial, techno, aggressive, arcade, impact, sci‑fi styling, machine aesthetic, brand stamping, display clarity, angular, chamfered, geometric, blocky, monolinear.
This typeface is built from heavy, geometric strokes with flattened corners and faceted, chamfer-like cuts that replace most curves. Counters are mostly rectangular and tightly enclosed, and many joins terminate in sharp diagonals, producing a distinctly planar, machined silhouette. The lowercase is compact and sturdy with simple, squared bowls and a single-storey "a"; numerals follow the same hard-edged construction, with the "0" reading as a rounded-rectangle. Spacing and widths vary by glyph, but the overall rhythm stays dense and emphatically horizontal, with minimal internal detail and consistent stroke weight.
Best suited for display applications where strong shape and presence matter: headlines, posters, game titles/UI branding moments, sports or motorsport-style graphics, packaging callouts, and bold tech or industrial identity work. It can also work for short UI labels or signage when set with generous tracking to open up the dense texture.
The faceted geometry and blunt massing give the font a high-impact, sci‑fi tone that feels mechanical and performance-oriented. It evokes arcade and racing aesthetics, with a confident, no-nonsense voice suited to loud, attention-grabbing messages.
The design appears intended to translate a futuristic, engineered feel into letterforms by substituting curves with crisp facets and chamfers while maintaining a sturdy, modular construction. The emphasis is on impact and distinctive silhouettes rather than delicate detail or text-centric neutrality.
Distinctive stencil-like notches and clipped terminals appear throughout, creating strong silhouettes that hold up well at display sizes. The interior apertures are small relative to the heavy strokes, so the texture becomes quite dark and compact in paragraph-like settings.