Sans Superellipse Edber 3 is a regular weight, normal width, low contrast, italic, normal x-height font.
Keywords: ui, wayfinding, branding, headlines, product labels, clean, modern, technical, efficient, friendly, clarity, modernization, softening, motion, rounded, oblique, monoline, superelliptical, open counters.
A rounded, oblique sans with monoline strokes and soft, superellipse-driven curves. Corners are consistently radiused, with flattened arcs that give bowls and counters a rounded-rectangle feel rather than a purely circular one. The letters show an engineered, geometric construction with steady rhythm and clear spacing; punctuation and numerals follow the same smooth, softened geometry. Diagonals and joins stay crisp while terminals remain gently rounded, producing a streamlined, contemporary texture in both display sizes and running text.
Works well for user interfaces and product typography where clarity and a modern, rounded geometry are desirable, especially when an oblique style is used for emphasis. It also suits signage and wayfinding systems, tech-forward branding, and concise headlines where the clean, softened forms can stay legible while adding a sense of motion.
The overall tone is modern and efficient, with a subtle tech-and-transit flavor softened by rounded corners. Its oblique stance adds motion and energy, while the superelliptical forms keep the voice calm and controlled rather than expressive or calligraphic. The result feels approachable and contemporary, suited to clean interfaces and forward-looking branding.
Likely designed to blend functional readability with a contemporary, superelliptical aesthetic, offering a dynamic oblique voice without increasing visual noise. The consistent rounding and geometric construction suggest an aim for a cohesive system font feel that remains friendly and adaptable across digital and environmental applications.
Capitals read with a slightly squared-off curvature (notably in rounded letters), and the numerals maintain a tidy, uniform presence with simple, open shapes. The italic angle appears consistent across the set, and the softened terminals help reduce harshness without turning the design into a fully rounded novelty style.