Wacky Affi 2 is a bold, normal width, medium contrast, upright, short x-height font.
Keywords: posters, headlines, logos, packaging, game ui, playful, quirky, retro, game-like, handmade, attention grab, distinct silhouette, retro display, quirky branding, graphic texture, octagonal, chamfered, angular, ink-trap, rounded corners.
A compact, angular display face built from straight strokes with frequent chamfered corners and small spur-like terminals. Counters and bowls often take an octagonal or notched shape, giving many letters a cut-metal, stencil-adjacent feel without fully breaking forms apart. Stroke endings are softened with rounded joins and occasional teardrop/flare details, creating a lively rhythm and uneven, hand-cut impression. Lowercase forms are simplified and squat, with single-storey constructions and a distinctly small x-height relative to the ascenders and capitals; figures follow the same faceted geometry for a cohesive set.
Best suited to short, high-impact settings such as posters, covers, wordmarks, labels, and packaging where the faceted details can be appreciated. It can also work for playful UI elements, badges, or game-themed graphics when used at larger sizes with ample spacing.
The overall tone is eccentric and upbeat, mixing retro arcade/tech cues with a goofy, handcrafted wobble. Its sharp corners and notches suggest machinery or signage, while the softened joins keep it friendly rather than aggressive. The result feels like a playful one-off title style meant to catch attention and add character.
The likely intent is to deliver an attention-grabbing novelty display style by combining blocky, industrial geometry with whimsical terminal quirks. Consistent chamfering and notched counters create a distinctive silhouette that reads quickly in titles while preserving a deliberately odd, experimental flavor.
The design relies on repeated geometric motifs (chamfers, notches, and small terminal spurs) that show up across capitals, lowercase, and numerals, helping the irregularities feel intentional. Spacing and internal shapes read more decorative than text-oriented, especially at smaller sizes where the faceting and notches become the main texture.