Sans Superellipse Tegar 2 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Bourgeois' and 'Bourgeois Rounded' by Barnbrook Fonts, and 'Geogrotesque Sharp' by Emtype Foundry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming ui, packaging, sporty, industrial, energetic, punchy, technical, impact, speed, ruggedness, modern utility, chamfered, blocky, angular, compact, sturdy.
A heavy, forward-slanted sans with chunky, superellipse-driven construction and prominent chamfered corners. Strokes are uniformly thick with slightly squared counters, producing a compact, dense texture in both uppercase and lowercase. Curves are tightened into rounded-rectangle forms, while terminals often resolve into clipped angles, giving letters a machined, cut-from-solid feel. Spacing reads moderately tight, and the figures match the letterforms with similarly squared bowls and sturdy, simplified silhouettes.
Best suited to display typography where impact and quick recognition matter—headlines, poster titles, sports and esports branding, product packaging, and bold interface elements such as buttons or scoreboards. It can also work for short subheads and labels, but the dense weight and compact counters suggest avoiding long body copy.
The overall tone is assertive and action-oriented, with a sporty, industrial edge. Its blunt geometry and consistent slant suggest speed and impact rather than refinement, lending a confident, utilitarian voice that feels at home in performance and technical contexts.
The design appears intended to deliver maximum presence with a streamlined, geometric voice—combining rounded-rectangle foundations with clipped corners to evoke speed, toughness, and contemporary tech/sport aesthetics.
Uppercase forms lean toward wide, stable blocks with reduced internal white space, while lowercase retains the same structural logic for a cohesive system. Diagonal strokes and clipped joins (notably in letters like K, M, N, V, W, X, and Z) reinforce a dynamic rhythm, and the punctuation in the sample text reads bold and emphatic at display sizes.