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Free for Commercial Use

Sans Normal Upbak 18 is a light, normal width, high contrast, upright, normal x-height font visually similar to 'Alonzo' by Fenotype (names referenced only for comparison).

Keywords: magazine headlines, fashion branding, luxury packaging, posters, invitations, editorial, refined, modern classic, fashion, airy, elegant display, editorial impact, luxury tone, classic revival, hairline serifs, didone-like, vertical stress, crisp terminals, elegant.


Free for commercial use
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This typeface uses a delicate, high-contrast construction with extremely thin hairlines and stronger verticals, producing a crisp, polished texture. Proportions lean tall and slender, with generous apertures and smooth, round bowls that keep counters open even at larger display sizes. Terminals are clean and sharp, and many strokes resolve into fine, straight hairlines rather than heavy brackets, giving the design a precise, drawn-with-a-pen-and-knife feel. The lowercase shows a restrained rhythm with single-storey a and g, while figures are similarly refined, mixing round forms with thin, tapered joins.

It performs best in display contexts where fine hairlines can be preserved—magazine and book covers, fashion and beauty branding, premium packaging, and large-format editorial headlines. It can also work for short pull quotes and titling where an elegant, high-contrast voice is desired.

The overall tone is poised and luxurious, with a distinctly editorial character suited to high-end presentation. Its bright, airy spacing and razor-thin details convey sophistication and formality more than warmth, reading as contemporary yet rooted in classic contrast-driven letterforms.

The design appears intended to deliver a sleek, upscale reading of classic high-contrast letterforms, prioritizing elegance, clarity of silhouette, and a refined page color over robustness for small text. It balances strict vertical structure with subtle, stylish details to create a distinctive editorial presence.

Several glyphs feature notably thin diagonals and join points (notably in K, W, and X), creating a sparkling, delicate silhouette that can feel intentionally dramatic at display sizes. Round letters such as O and Q emphasize smooth, symmetrical curves, with the Q’s tail adding a stylish, calligraphic accent.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸