Sans Superellipse Fokip 2 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Mainorm' by Berthold, 'Isotonic' by Emtype Foundry, 'Midsole' by Grype, 'Navine' by OneSevenPointFive, 'Belle Sans' by Park Street Studio, and 'Quan Geometric' by Typesketchbook (names referenced only for comparison).
Keywords: headlines, posters, sports branding, logos, app ui, sporty, assertive, dynamic, techy, modern, impact, speed, branding, display, modernity, rounded corners, square curves, slanted terminals, compact spacing, blocky.
A heavy, forward-leaning sans with rounded-rectangle construction and tightly controlled curves. Corners are broadly rounded, counters are compact, and most joins feel blunt and engineered rather than calligraphic. The slant is consistent across caps, lowercase, and figures, with minimal stroke modulation and a sturdy, high-impact silhouette. Overall rhythm is dense and punchy, with squared-off rounds in letters like C, O, and G and crisp diagonals in A, K, V, W, and X.
Best suited for short-to-medium headline settings where impact and motion matter: sports and esports identities, team or event graphics, product packaging, promotional posters, and bold logo wordmarks. It can also work for UI labels or navigation where a forceful, condensed visual tone is desired, provided sizes are large enough to keep the tight counters clear.
The font reads energetic and performance-oriented, with a confident, no-nonsense tone. Its geometric rounding and steady slant suggest speed, motion, and modern utility—well suited to branding that wants to feel bold, contemporary, and slightly aggressive.
The design appears aimed at delivering maximum punch with a modern geometric voice, combining rounded-rectangle forms with an energetic slant for a fast, athletic feel. Consistent stroke weight and compact internal spaces emphasize solidity and presence in display typography.
Round characters are drawn as softened boxes rather than true circles, giving the face a distinctive superellipse feel. Terminals tend to be cut on angles, and the numerals follow the same chunky, athletic construction, maintaining a consistent visual color across mixed text.