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Free for Commercial Use

Sans Normal Emry 8 is a very light, normal width, low contrast, italic, normal x-height font.

Keywords: editorial design, branding, packaging, headlines, posters, airy, modern, refined, gentle, editorial, modern elegance, clean readability, lightweight tone, editorial voice, minimal styling, monoline, rounded, clean, slender, upright-leaning.


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This is a very slender, monoline sans with a consistent rightward slant and smooth, rounded construction. Strokes maintain an even thickness with soft terminals and no sharp serifing, giving the forms a clean, continuous rhythm. Uppercase shapes are open and simple, with circular bowls (C, O, Q) and straight-sided structures (E, F, H) kept light and spacious; the diagonal letters (A, V, W, X, Y) feel narrow and taut. The lowercase uses single‑storey forms for a and g, with compact counters and modest ascenders/descenders that keep lines of text tidy; the i and j have small, round dots. Numerals follow the same thin, rounded logic, with an especially elliptical 0 and gently curved 2/3/5 forms that read clearly at display sizes.

This font is well suited to editorial layouts, brand identities, and packaging where a light, sophisticated italic voice is desired. It performs best in headlines, pull quotes, and large-format text where its thin strokes and open shapes can remain crisp, and it can also work for short supporting copy when set with comfortable size and leading.

The overall tone is quiet and contemporary, with an elegant, understated presence rather than overt personality. Its lightness and consistent slant suggest a fashion/editorial sensibility—polished and minimal, with a soft, approachable warmth from the rounded curves.

The likely intention is a minimal, modern italic sans that delivers elegance through restraint: uniform stroke weight, rounded geometry, and a consistent slanted stance. It aims to create a refined typographic color for contemporary design contexts without relying on decorative details.

The design leans on circular geometry and open apertures to preserve clarity despite the very thin strokes. Spacing appears measured and even in the sample text, producing a smooth, airy texture; the italic angle is consistent across capitals, lowercase, and figures, helping long passages maintain flow.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸