Sans Superellipse Dyja 1 is a regular weight, very wide, medium contrast, italic, normal x-height font.
Keywords: headlines, branding, sports, technology, posters, futuristic, technical, sleek, sporty, sci-fi, speed, modernity, tech feel, display impact, brand voice, rounded, square, extended, oblique, streamlined.
A slanted, extended sans built from rounded-rectangle geometry, with softly squared counters and smooth, superelliptical curves. Strokes are clean and fairly uniform, with crisp terminals that often resolve into horizontal or slightly angled cuts, giving a machined, aerodynamic feel. The spacing and proportions emphasize width and forward motion, while forms like the rounded “O/0” shapes, squared bowls, and flattened curves keep the design cohesive across letters and figures. Numerals and capitals follow the same wide, rounded-square construction, producing a consistent, display-oriented rhythm.
Best suited to headlines, logotypes, and short bursts of copy where its wide, slanted shapes can project speed and a high-tech personality. It fits well in automotive and motorsport themes, gaming and sci‑fi interfaces, product packaging, and promotional graphics. For long-form reading or small UI text, its stylization and extended proportions are more likely to feel dominant than quiet.
The overall tone is futuristic and performance-driven, suggesting speed, technology, and modern industrial design. Its italic slant and wide stance add energy and a sense of motion, while the rounded-square construction keeps the voice controlled and engineered rather than playful.
This font appears designed to deliver a modern, forward-leaning display voice built on rounded-square forms—balancing clarity with a distinctly engineered silhouette. The goal is likely to provide an instantly recognizable, tech/sport identity that stays consistent across caps, lowercase, and numerals.
Several glyphs use distinctive, stylized joins and open apertures that favor a technical aesthetic over conventional text neutrality. The design’s strong horizontal emphasis and oblique angle make it most comfortable at larger sizes where the squared curves and tight details read clearly.