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Sans Normal Kymub 9 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'BR Nebula' by Brink, 'Geometria' by Brownfox, 'Muller' by Fontfabric, 'FS Elliot' and 'FS Elliot Paneuropean' by Fontsmith, and 'Creata' by Ivan Petrov (names referenced only for comparison).

Keywords: posters, headlines, branding, sportswear, packaging, sporty, friendly, punchy, retro, impact, energy, approachability, display, rounded, blunt, soft corners, slanted, compact counters.


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This typeface is a heavy, right-slanted sans with broad proportions and softly rounded corners throughout. Strokes are thick and even, with smooth curves and minimal modulation, giving letters a dense, compact feel in their counters. The geometry leans toward rounded, slightly squarish forms: circular shapes are full and sturdy, terminals are blunt, and joins are simplified for solidity. Uppercase forms read as blocky and confident, while the lowercase keeps single-storey constructions (notably a and g) and a straightforward, highly legible rhythm; numerals follow the same robust, rounded construction.

It performs best in large-scale applications such as posters, headlines, and impactful branding where its width and weight can create immediate emphasis. The friendly rounding also suits packaging and youth- or sport-adjacent graphics, and it can work for short bursts of text (taglines, calls to action) when set with generous spacing.

The overall tone is energetic and approachable, combining a sporty slant with friendly, softened shapes. It suggests bold confidence without feeling aggressive, leaning into a playful, retro-leaning display attitude that stays readable.

The design appears intended to deliver maximum impact with a modern, approachable voice: a bold, slanted sans built for attention-grabbing display use while maintaining simple, familiar letterforms for quick recognition.

The italic posture is consistent across capitals, lowercase, and figures, and the wide set amplifies the font’s billboard-like presence. Curves and apertures are kept relatively tight at this weight, so spacing and size will strongly influence clarity in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸