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Free for Commercial Use

Sans Faceted Akmo 4 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Expedition' by Aerotype, 'Morgan' by Krafted, 'Stallman' and 'Stallman Round' by Par Défaut, and 'Monbloc' by Rui Nogueira (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, sports, industrial, arcade, techno, retro, assertive, impact, modularity, geometric feel, technical tone, display use, octagonal, chamfered, blocky, angular, compact.


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A heavy, block-constructed sans with octagonal silhouettes and consistent chamfered corners that substitute for curves. Strokes remain even throughout, with squared terminals, tight interior counters, and a generally compact fit that creates a dense, punchy texture in text. Shapes favor straight segments and right angles; diagonals appear as short facets rather than long slants, producing a crisp, planar rhythm. The lowercase mirrors the uppercase’s geometric logic, keeping the alphabet visually unified and strongly modular.

Best suited to large-scale display settings where the angular detailing and tight counters can be appreciated—such as posters, branding marks, product packaging, and impactful headings. It also fits environments that benefit from a rugged, technical voice, including sports graphics, esports/arcade themes, and industrial or sci‑fi interfaces.

The overall tone feels industrial and game-adjacent, with a hard-edged, machined confidence. Its faceted geometry reads as technical and engineered, giving headings a bold, no-nonsense presence with a slight retro arcade flavor.

The design appears intended to deliver maximum impact through simplified, modular geometry—replacing curves with clean facets to create a sturdy, engineered look. Its consistent chamfers and uniform stroke treatment suggest a focus on reproducible, system-like forms that stay bold and recognizable across a range of characters.

Legibility relies on distinctive interior cut-ins and notches rather than round bowls, so counters can feel tight at smaller sizes. Numerals match the same chamfered construction, reinforcing a consistent, system-like aesthetic across letters and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸