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Sans Normal Peboy 2 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Akzidenz-Grotesk Next' by Berthold, 'BB Torsos Pro' by Bold Studio, 'Chubbet Distended' by Emboss, 'Pragmatica' by ParaType, 'PG Gothique' and 'PG Grotesque' by Paulo Goode, and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, modern, friendly, punchy, straightforward, impact, clarity, modern branding, display strength, rounded, blocky, compact, clean, geometric.


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A heavy, geometric sans with broad proportions and simplified, rounded construction. Curves are smooth and fairly circular (notably in O, C, G, and 8), paired with straight-sided verticals and flat terminals that keep the silhouette clean and sturdy. The lowercase is compact with short-to-moderate ascenders and descenders, and the overall rhythm is tight, emphasizing solid black shapes and clear counters at display sizes. Numerals match the same robust, rounded logic, with strong, uniform strokes and minimal detailing.

Best suited for headlines and short passages where strong presence is needed, such as posters, branding systems, packaging, and signage. It can also work for UI headings and promotional copy where a clean, high-impact sans is preferred, while longer text may feel visually dense due to the weight and compact rhythm.

The font reads as direct and energetic, with a friendly modernity from its rounded forms and bold, poster-like presence. It feels confident and uncomplicated—more about impact and clarity than nuance—making it well-suited to attention-grabbing typography.

The design intention appears to be a bold, approachable geometric sans that prioritizes immediate legibility and graphic impact. Its rounded, simplified forms suggest a focus on contemporary branding and display typography that needs to read quickly and feel modern.

Spacing appears optimized for big, bold setting: wide letterforms and firm joins create dense word shapes. The design avoids calligraphic modulation and relies on consistent geometry, producing a stable, contemporary look across both uppercase and lowercase.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸