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Free for Commercial Use

Sans Normal Kylom 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Rabon Grotesk' by 38-lineart, 'Dexperdy' by Differentialtype, 'Mollen' by Eko Bimantara, 'Brainy Variable Sans' by Maculinc, 'Glimp' by OneSevenPointFive, 'Pragmatica' by ParaType, 'Kagins' by Rhtype, 'Core Sans D' by S-Core, and 'Arthura' by Seniors Studio (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, packaging, sporty, energetic, confident, friendly, punchy, impact, momentum, approachability, modernity, display strength, rounded, soft corners, oblique, bulky, compact counters.


Free for commercial use
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A heavy, rounded sans with a pronounced rightward slant and compact internal counters. Strokes are consistently thick with smooth, softened joins and terminals that read as cut but not sharp, giving forms a sturdy, molded look. Curves (C/O/S) feel full and elliptical, while diagonals (A/K/V/W/X/Y) are wide and stable, maintaining even color across the line. The lowercase is built with simple, robust bowls and short ascenders/descenders, keeping the texture dense and uniform; numerals are similarly chunky and highly legible.

Best suited to short, attention-grabbing settings such as headlines, posters, and bold brand statements where a compact, energetic texture is desirable. It also works well for sports and lifestyle graphics, packaging callouts, and display typography where the rounded strength reads clearly from a distance.

The overall tone is assertive and high-impact, with an energetic, forward-leaning posture. Rounded geometry keeps it approachable, balancing the weight with a friendly, modern feel that suggests motion and momentum.

The design appears intended as a high-impact display sans that combines forward motion with friendly, rounded construction. Its consistent thickness and compact counters prioritize strong presence and quick recognition over delicate detail.

The slant and heavy weight create strong word shapes in headlines, but the tight counters and thick joins can make very small sizes feel dense. The design maintains consistent rhythm across mixed case, and the figures match the letterforms in weight and curvature for cohesive typographic color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸