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Serif Flared Rybup 5 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Matchbox Font Collections' by Adam Fathony, 'Meguro Serif' by GT&CANARY, and 'Obvia Wide' by Typefolio (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sports identity, authoritative, retro, collegiate, punchy, confident, impact, heritage, headline focus, brand stamp, signage strength, bracketed, beaked, ball terminals, ink-trap feel, compact counters.


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A heavy, display-oriented serif with pronounced flared stroke endings and compact internal counters. The letterforms are broad and sturdy, with strong vertical emphasis and crisp, bracketed serifs that often resolve into beak-like terminals. Curves are smooth but tightly drawn, producing an ink-trap-like pinching in some joins and apertures. The overall color is dense and even, with short extenders and a robust, blocky rhythm that keeps shapes legible at large sizes.

Best suited to headlines, posters, mastheads, and brand marks where dense, impactful letterforms are an advantage. It works well for packaging and labels that need a classic, assertive presence, and for sports or institutional identity systems that benefit from bold, traditional typography. For long text, it is likely most effective in short bursts (subheads, pull quotes, callouts) rather than extended reading.

The font projects an assertive, traditional tone with a distinctly vintage, print-forward character. Its weight and flared terminals evoke editorial headlines, athletic/collegiate branding, and signage that aims to feel established and confident. The mood is bold and slightly theatrical rather than delicate or minimal.

The design appears intended to deliver maximum impact with a classic serif voice, combining compact counters and flared terminals to create a strong, print-like silhouette. It prioritizes presence and recognizability in display sizes, aiming for a familiar, heritage-leaning feel without delicate detailing.

Uppercase forms are especially monumental, with simplified geometry and emphatic terminals that read well in short words. The lowercase maintains a sturdy, utilitarian texture; round letters (o, e, c) feel tight and controlled, while diagonals (v, w, x) are sharply cut and energetic. Numerals match the same heavy, compact build, suited to attention-grabbing figure work in titles and packaging.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸