Sans Normal Judiy 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Dikta Neue' by Atasi Studio, 'Branden' by Craft Supply Co, 'Galvani' by Hoftype, 'Gosent' by NamelaType, 'Core Sans N SC' and 'Core Sans NR' by S-Core, 'Arlonne Sans Pro' by Sacha Rein, and 'Kobern' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, signage, sporty, dynamic, confident, modern, energetic, convey motion, add emphasis, modernize tone, increase impact, oblique, geometric, clean, smooth, rounded.
A slanted sans with smooth, rounded construction and a sturdy, even stroke weight. Curves are broad and elliptical, with open counters and softened joins that keep the texture clean at larger sizes. Terminals are mostly sheared/angled in keeping with the oblique axis, and the forms read as compact and controlled rather than calligraphic. Numerals follow the same forward-leaning rhythm, with clear, simple silhouettes and consistent weight across straight and curved strokes.
This face is well suited to headlines, branding, and promotional typography where a sense of speed and emphasis is desirable. Its clean, rounded shapes and open counters also make it a solid choice for short blocks of display text, product markings, and straightforward signage where legibility and impact need to coexist.
The overall tone is brisk and assertive, projecting motion and momentum through its continuous slant and streamlined shapes. It feels contemporary and functional, with a confident voice that suits punchy, attention-getting typography.
The design appears intended to deliver a modern, forward-leaning sans with a strong sense of motion and a clean, engineered feel. Its consistent stroke weight and rounded geometry suggest an emphasis on bold presence and dependable readability in display settings.
Uppercase forms appear wide and stable with rounded bowls and clear apertures, while lowercase keeps a straightforward, utilitarian structure that prioritizes clarity over ornament. The oblique angle is prominent and consistent, creating a strong directional rhythm in running text and headlines.