Serif Normal Nylim 7 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'Bevenida' by Agny Hasya Studio (names referenced only for comparison).
Keywords: book text, editorial, magazines, headlines, quotations, classic, literary, formal, authoritative, readability, tradition, editorial tone, timelessness, bracketed serifs, ball terminals, oldstyle figures, diagonal stress, open counters.
This is a crisp text serif with pronounced thick–thin contrast and bracketed, wedge-like serifs that taper into the stems. Curves show a noticeable diagonal stress, and many letters end in softly rounded, ball-like terminals (notably on forms like the lowercase a, f, and j), giving the design a slightly calligraphic finish despite its upright stance. Proportions feel traditional with moderately wide capitals and a steady rhythm in lowercase; counters are generally open and the spacing reads even in paragraph-like settings. Numerals appear oldstyle (varying heights with ascenders/descenders), aligning the overall texture with book typography rather than strictly tabular lining figures.
It suits long-form reading such as books, essays, and editorial layouts, where traditional serif cues and open counters support a consistent text rhythm. It also performs well for headings, pull quotes, and section titles that need a confident, classic voice without looking ornate.
The font conveys a classical, bookish tone—polished and conservative, with a subtle warmth coming from its bracketed serifs and rounded terminals. It feels authoritative and familiar, evoking established publishing and institutional communication rather than trendy or experimental branding.
The design appears intended as a conventional, highly readable serif that channels historical text faces through diagonal stress, bracketed serifs, and oldstyle-style figures. Its goal seems to be dependable editorial versatility—producing a refined, traditional texture across both display lines and continuous text.
In the sample text, the type builds a strong, dark page color at display sizes while keeping letterforms distinct through generous counters and clear serif articulation. The italic is not shown, and the visual emphasis comes primarily from contrast and terminal detailing rather than dramatic width or unusual construction.