Sans Superellipse Uhry 5 is a regular weight, wide, monoline, upright, normal x-height font visually similar to 'FF Eboy' by FontFont and 'Cyberglass JNL' and 'File Folder JNL' by Jeff Levine (names referenced only for comparison).
Keywords: ui labels, tech branding, gaming, posters, signage, techno, futuristic, modular, clean, geometric, modernization, systematization, sci‑fi tone, clarity, branding, rounded corners, square forms, crisp, angular, compact joints.
A geometric sans built from squared, superellipse-like outlines with consistently rounded corners and uniform stroke thickness. Curves are largely replaced by softened right angles, giving letters like O/C/D and bowls a rounded-rectangle construction. Counters are open and rectangular, terminals are mostly flat and squared-off, and diagonals (as in V, W, X, Y, K) are straight and crisp, meeting stems with abrupt, engineered joins. Proportions read broad and stable, with generous internal space in many glyphs and a distinctly boxy rhythm across both cases and numerals.
Works well for UI/UX labels, dashboards, and on-screen headings where a clean, engineered voice fits. It’s also suited to tech and gaming branding, product marks, posters, and signage that benefit from a bold geometric presence and a cohesive, modular texture in short-to-medium text.
The overall tone is futuristic and system-like, reminiscent of interface labeling, sci‑fi graphics, and industrial signage. Its softened corners keep it approachable while the squared geometry maintains a precise, technical feel. The rhythm is confident and mechanical rather than expressive or calligraphic.
The design appears intended to translate rounded-rectangle geometry into a highly consistent alphabet for modern display and interface contexts. By favoring squared curves and uniform strokes, it aims for clarity and a distinctive “constructed” identity that reads as contemporary and technical.
Distinctive squared bowls and chamfer-like rounding create strong consistency across letters and figures. The lowercase keeps the same geometric logic as the uppercase, producing a unified, modular texture in paragraphs; the overall silhouette stays tidy and controlled, with minimal ornamentation and a clear, constructed look.