Sans Superellipse Gumik 1 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Neuron Angled' by Corradine Fonts; 'Isotonic' by Emtype Foundry; 'FF Good' by FontFont; 'PTL Notes', 'PTL Notes Soft', and 'PTL Notes Style' by Primetype; and 'Obvia Narrow' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, industrial, modern, confident, utilitarian, compact, impact, clarity, modernity, compactness, systematic geometry, rounded corners, square-shouldered, blocky, geometric, closed apertures.
A compact, geometric sans with squared proportions and consistently rounded corners, giving many curves a superelliptical, rounded-rectangle feel. Strokes are heavy and even, terminals are blunt, and counters tend toward rectangular or oval shapes with relatively tight apertures. The overall rhythm is dense and sturdy, with minimal stroke modulation and a strong, uniform color in text. Numerals follow the same squared, softened geometry, producing a cohesive, signage-like texture.
Best suited to short-to-medium text where impact and clarity matter: headlines, posters, labels, packaging, and wayfinding. It can also work for UI or interface elements that benefit from a sturdy, compact voice, especially at larger sizes where the squared details remain clear.
The font projects a functional, engineered tone—assertive and straightforward rather than delicate. Its softened corners keep the mood approachable, but the tight apertures and blocky silhouettes read as pragmatic and no-nonsense. Overall it feels contemporary and industrial, suited to clear statements and high-impact messaging.
The design appears intended to deliver a strong, contemporary sans built from rounded-rectangle geometry—prioritizing solidity, uniformity, and a compact footprint. The softened corners suggest an attempt to balance industrial strength with a friendly, modern finish.
Round letters such as O and Q appear more like rounded rectangles than true circles, reinforcing the squared construction. Many lowercase forms are simplified and compact, and the overall spacing and shapes create a slightly condensed, punchy headline presence even in running sample text.