Sans Faceted Omsa 5 is a regular weight, narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, ui labels, futuristic, technical, angular, retro, architectural, futurism, precision, systemization, display impact, tech branding, faceted, chamfered, geometric, linear, crisp.
A monoline sans with sharply faceted construction: curves are largely replaced by straight segments and chamfered corners, producing a consistent planar, cut-metal look. Strokes maintain an even thickness with tight apertures and compact counters, and the overall proportions read condensed with a slightly mechanical rhythm. Capitals are tall and structured, while lowercase forms stay simplified and linear, often echoing the same angled terminals and clipped joins seen in the uppercase. Numerals follow the same faceted logic, with polygonal bowls and angled transitions that keep the set visually cohesive.
Best suited to headlines, posters, wordmarks, and short-form branding where its faceted detailing can be appreciated. It also works well for UI labels, product markings, and tech-oriented packaging when set at medium-to-large sizes, especially in contexts that benefit from a crisp, engineered aesthetic.
The font conveys a futuristic, technical tone with a distinct retro-digital edge. Its sharp angles and disciplined geometry suggest engineered precision—appropriate for interfaces, speculative branding, or science-fiction atmospheres—while still feeling clean and readable at display sizes.
The design appears intended to translate a geometric sans into a faceted, corner-cut system that swaps traditional curves for planar segments. The consistent use of chamfers and straight-line construction suggests a goal of creating a cohesive, futuristic display voice while retaining familiar letter structures for legibility.
Diagonal cuts are used repeatedly as a unifying motif, appearing on terminals, joins, and interior corners, which reinforces a consistent tessellated texture across text. The overall color on the page is steady due to uniform stroke weight, but the many angled details can become visually busy at small sizes, making it most effective when given room to breathe.