Print Dinom 2 is a very light, narrow, medium contrast, upright, short x-height font.
Keywords: invitations, greeting cards, children’s books, craft branding, packaging labels, whimsical, airy, friendly, quirky, playful, handmade feel, casual voice, playful display, personal tone, monoline, sketchy, loopy, open counters, rounded terminals.
A very light, hand-drawn print face with mostly monoline strokes and a subtly jittery, sketch-like outline. Letterforms are narrow overall with irregular widths and a gentle, organic rhythm, showing small variations in stroke direction and endpoint finishing. Curves are softly rounded and often slightly asymmetrical, with open, roomy counters and occasional looped or teardrop-like joins. Uppercase forms are simple and tall, while lowercase has a short x-height with long ascenders/descenders, contributing to a vertical, airy texture in text.
This style works well for invitations, greeting cards, quotes, and lighthearted branding where a personal, handmade voice is important. It can also suit packaging labels, craft/DIY projects, and children-oriented materials, especially at display and short-text sizes where the delicate strokes and quirky forms remain clear.
The font conveys a casual, playful tone—like neat handwriting made with a fine pen. Its lightness and uneven hand pressure add charm and approachability, giving text a whimsical, handmade personality without feeling messy.
The design appears intended to mimic tidy, informal handwriting with a fine-line tool—prioritizing charm, individuality, and a breezy texture over strict geometric regularity. Its narrow, tall proportions and light stroke weight help it feel understated and personable in headings and short passages.
In continuous text, the narrow proportions and short x-height make the overall color quite light, with plenty of white space between strokes. Some glyphs show deliberately idiosyncratic construction (notably angular diagonals and occasional doubled-stroke effects), reinforcing the hand-rendered character and making it most effective when a human touch is desired over typographic neutrality.