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Sans Normal Tokan 10 is a very bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Contralto' by Synthview (names referenced only for comparison).

Keywords: headlines, editorial, posters, branding, magazine covers, fashion, dramatic, luxury, modernist, statement, display, sculptural, crisp, sharp, inlaid, calligraphic.


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A striking display face built from broad, sculpted strokes with knife‑thin internal cuts and pointed joins. Curves are smooth and often ovalized, while many terminals resolve into sharp wedges or crisp, flat endings, creating a distinctive engraved/inlaid look. Counters are compact and sometimes pinched by hairline slices, producing a rhythmic alternation of solid black mass and razor-thin white channels. Uppercase forms feel monumental and geometric, while lowercase retains the same cut-in detailing with sturdy stems and compact bowls, maintaining a consistent, high-impact texture across lines.

Best suited to large-scale typography where the inlaid cuts and sharp joins can be appreciated—headlines, magazine mastheads, fashion/editorial layouts, posters, and bold brand marks. It can also work for short pull quotes or section titles when given generous size and breathing room.

The overall tone is dramatic and editorial, combining modern minimalism with a refined, couture-like sharpness. The contrast and carved details evoke luxury branding and high-fashion headlines, with a slightly theatrical edge that reads confident and attention-seeking rather than neutral.

The design appears intended to deliver maximum impact with a contemporary, carved aesthetic—merging heavy, geometric letterforms with hairline incisions to create a signature texture. The goal seems to be distinctive display typography that feels premium and stylized while staying upright and structurally clean.

The hairline cut-ins are a defining feature and become more prominent at larger sizes, where the internal slicing reads as intentional ornamentation. In denser settings or small sizes, those narrow channels may visually fill in, so spacing and size choice will strongly influence clarity and the perceived patterning.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸