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Free for Commercial Use

Sans Faceted Etpo 3 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'Naratif Condensed' by Akufadhl, 'Brohero' by Alit Design, 'Angela Love Sans' by Fargun Studio, 'Privilege Sign JNL' by Jeff Levine, 'Refinery' by Kimmy Design, 'Hype Vol 1' by Positype, 'Entropia' by Slava Antipov, 'Gemsbuck Pro' by Studio Fat Cat, and 'Buyan' by Yu Type (names referenced only for comparison).

Keywords: sports branding, posters, headlines, logos, packaging, sporty, aggressive, industrial, retro, poster-like, impact, speed, toughness, space saving, branding, condensed, slanted, angular, faceted, blocky.


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A condensed, slanted display sans built from sharp planar facets rather than smooth curves. Strokes are heavy and largely monolinear, with clipped corners, chamfered terminals, and angular counters that give round letters a squared, cut-metal feel. The overall rhythm is tight and forward-leaning, with compact apertures and assertive joins that keep word shapes dense and high-impact.

Best suited to headlines, logos, team or event identity systems, and punchy poster typography where impact and motion matter. It can also work well on packaging or merchandise applications that benefit from a tough, mechanical voice, especially at medium-to-large sizes where the faceting remains clear.

The font reads fast, loud, and competitive, with a hard-edged, engineered attitude. Its faceted construction and pronounced slant evoke speed and toughness, leaning into sports branding and high-energy promotional graphics rather than quiet editorial typography.

The design appears intended to deliver a high-impact condensed italic voice with a distinctive faceted construction, maximizing presence in limited horizontal space while projecting speed and strength. Its consistent chamfered detailing suggests a deliberate, systemized approach for branding-oriented display use.

Capitals maintain a uniform, sign-painter-like stance while lowercase forms echo the same chiseled logic, producing consistent texture across mixed-case settings. Numerals are similarly squared and sturdy, matching the alphabet’s cut-corner geometry and maintaining strong presence in short bursts of copy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸