Outline Tini 2 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, invitations, art deco, elegant, airy, decorative, vintage, display, deco revival, ornamental, engraved feel, luxury tone, inline, monoline, geometric, crisp, refined.
A delicate outlined serif with an inline, double-contour construction that creates a hollow, air-filled letterform. Strokes are monoline in feel, with crisp corners, clean joins, and small, sharp serifs that read as engraved rather than brushy. Proportions are fairly classical: round letters are near-circular, verticals are straight and steady, and overall spacing feels open, letting the interior counters and the outline gaps do the visual work. Numerals and capitals carry the same thin, architectural linework, giving the face a consistent, finely drawn rhythm.
Best suited to display settings such as headlines, poster titles, branding marks, and premium packaging where the outlined construction can stay crisp. It also fits invitations, menus, and editorial feature titles that benefit from an elegant, vintage-leaning voice. For long passages or small sizes, the very fine outline details are likely to diminish, so it performs strongest when given room to breathe.
The font conveys a refined, glamorous tone with strong Art Deco and early 20th‑century display associations. Its hollow construction feels light, polished, and slightly theatrical—more like signage, titling, or engraving than everyday text. The overall impression is poised and decorative rather than utilitarian.
The design appears intended to deliver a classic serif silhouette with an ornamental, hollow inline treatment—prioritizing style and atmosphere over dense readability. Its consistent geometry and thin contouring suggest a focus on decorative titling that can evoke engraved, sign-painted, or Deco-era lettering.
The outline treatment reduces perceived weight, so the design relies on size and contrast with the background for impact. The inline/double-line detail becomes most legible at larger sizes, where the internal spacing and sharp serifs read cleanly and the geometric construction feels intentional.