Sans Superellipse Oglug 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Racon' by Ahmet Altun, and 'Camore' by Maulana Creative (names referenced only for comparison).
Keywords: headlines, logos, posters, packaging, ui display, techy, chunky, friendly, retro, toy-like, high impact, geometric branding, retro-tech, clarity at size, rounded, square-ish, soft corners, stencil-like, ink-trap-like.
A heavy, rounded-rectangle sans with superelliptical construction and softly radiused corners throughout. Strokes are consistently thick with minimal contrast, producing compact counters and sturdy silhouettes. Terminals tend to be blunt and squared-off, while many joins show small notches or wedge-like cut-ins that read as subtle ink-trap or stencil-like detailing. Overall spacing feels even and deliberate, with clear separation between forms despite the dense weight.
Best suited to headlines and short display copy where its dense weight and rounded-square construction can read clearly at larger sizes. It works well for branding, packaging, and poster graphics that want a retro-tech or industrial-playful voice, and can also serve in UI or signage contexts where chunky, high-impact forms are desirable.
The tone is bold and playful with a distinctly techy, arcade-like flavor. Its rounded-square geometry feels modern and engineered, while the softened corners keep it approachable rather than aggressive. The small cut-in details add a quirky, utilitarian character that suggests equipment labeling and retro-futuristic interfaces.
The design appears intended to merge a geometric, rounded-rectangle skeleton with high-impact weight for confident display typography. The small notches at joins and apertures suggest an effort to preserve clarity and add distinctive texture, creating a memorable, engineered look without sacrificing friendliness.
Uppercase forms are boxy and stable, while lowercase remains simplified and sturdy, maintaining the same squared-round rhythm. Numerals match the lettering’s squarish bowls and tight apertures, helping the set feel cohesive for UI-style readouts and compact headline settings.