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Free for Commercial Use

Serif Flared Lyli 2 is a bold, wide, high contrast, upright, normal x-height font visually similar to 'Begum', 'Begum Devanagari', and 'Begum Tamil' by Indian Type Foundry; 'Geller' by Ludka Biniek; and 'Cotford' by Monotype (names referenced only for comparison).

Keywords: headlines, editorial, packaging, posters, book covers, classic, formal, dramatic, literary, impact, heritage, elegance, authority, display character, bracketed, swashy, calligraphic, sculpted, crisp.


Free for commercial use
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This typeface presents a weighty serif structure with pronounced stroke modulation and sharply defined, bracketed serifs that often flare as they meet the stems. Curves are full and rounded with crisp terminals, producing a carved, slightly calligraphic texture rather than a strictly rational one. Capitals are broad and commanding with strong vertical emphasis and tapered joins, while the lowercase shows compact bowls and a steady, traditional rhythm. Numerals follow the same high-contrast logic, with sturdy verticals and finely tapered entry and exit strokes.

It is well suited to headlines, deck copy, and editorial display where a traditional serif voice with extra impact is desired. It can also work effectively for book covers, cultural posters, and premium packaging that benefits from a classic-yet-dramatic typographic presence.

The overall tone is authoritative and editorial, combining classical bookish cues with a more theatrical, display-forward punch. Its strong contrast and sculpted serifs give it a confident, slightly baroque elegance suited to attention-grabbing settings.

The design appears intended to merge traditional serif proportions with flared, high-contrast detailing to achieve a refined but forceful display texture. Its goal seems to be delivering a recognizable, heritage-leaning voice with enough sculptural character to stand out in modern branding and editorial settings.

In text, the heavy strokes and prominent serifs create a dark, assertive color on the page, with distinctive shapes that favor personality over neutrality. The contrast and sharp detailing become especially noticeable at larger sizes, where the flared endings and bracket transitions read as intentional design features.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸