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Free for Commercial Use

Wacky Otjy 1 is a very bold, wide, high contrast, upright, normal x-height font.

Keywords: posters, headlines, horror, event flyers, game titles, spooky, chaotic, grunge, pulp, playful, shock value, horror texture, handmade grit, poster impact, visual noise, drippy, ragged, torn, inked, jagged.


Free for commercial use
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A heavy, display-oriented face built from chunky silhouettes with aggressively irregular, torn-looking edges. Strokes alternate between blunt slabs and needle-like spikes, creating a distressed rhythm that feels ink-splattered and partially eroded. Counters are often small and uneven, apertures pinch or flare unpredictably, and terminals frequently end in drips or sharp barbs. Overall proportions are broad and blocky, with inconsistent sidebearings and a deliberately unstable baseline presence that reads as hand-warped rather than mechanically regular.

Best used for short, high-impact text such as posters, cover art, headlines, and title cards. It fits horror-themed or Halloween materials, game and streaming thumbnails, band merch, and any project that benefits from a gritty, hand-distressed display voice. Avoid long paragraphs or small UI sizes, where the jagged edges and tight counters can reduce readability.

The font conveys a macabre, mischievous energy—equal parts horror-prop and cartoon menace. Its ragged contours and dripping points suggest decay, slime, or ink bleed, while the bold massing keeps it loud and theatrical. The result feels rowdy and irreverent, suited to attention-grabbing, “creature-feature” style messaging rather than neutral reading.

The design appears intended to deliver an immediate, graphic punch through exaggerated weight and intentionally damaged contours. Its irregular edge language and drippy spikes aim to simulate a distressed, inked or torn stencil effect while staying bold enough to hold together in display settings.

Legibility holds up best at medium-to-large sizes where the distressed contours read as texture rather than noise. The capitals feel especially poster-like, while the lowercase maintains the same torn effect with more compact, occasionally cramped interiors. Numerals share the same rough carving and look most consistent when used in short bursts (prices, dates, issue numbers) rather than dense tables.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸