Print Eswo 3 is a bold, very narrow, medium contrast, upright, short x-height font.
Keywords: posters, packaging, headlines, stickers, social media, playful, handmade, friendly, quirky, casual, human texture, casual display, handmade tone, lively emphasis, brushy, chunky, rough-edged, bouncy, high-ink.
A chunky, hand-drawn print style with blunt terminals and visibly irregular edges, as if made with a loaded marker or brush. Strokes show slight wobble and ink spread, producing soft corners, uneven contours, and occasional thickened joins. Proportions are compact with a small lowercase body relative to tall ascenders, and spacing feels loose and organic rather than mechanically even. The overall rhythm suggests quick, confident drawing with deliberate imperfections that keep the texture lively in text.
Well suited to punchy headlines, posters, and packaging where a bold, handmade texture is desirable. It also works for labels, stickers, event promos, and short, energetic copy in social media graphics. For longer passages, it’s best used at comfortable sizes and with generous line spacing to maintain readability.
The tone is informal and upbeat, with a crafty, homemade character that feels approachable and slightly mischievous. Its inky texture and uneven silhouettes add warmth and personality, making it read as human and spontaneous rather than polished or corporate.
The design appears intended to capture the immediacy of hand-lettered print with a thick, inky tool, prioritizing personality and texture over typographic precision. Its consistent roughness and casual rhythm suggest it was drawn to add warmth and an expressive, DIY feel to display typography.
Counters tend to be small and sometimes close up in tighter shapes, while verticals and stems stay dominant and dark, creating a strong overall color. The numerals and capitals share the same hand-rendered texture, helping headings and short phrases feel cohesive. At smaller sizes, the roughness and heavy ink coverage can reduce clarity, while larger sizes highlight the expressive edges and natural variation.