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Free for Commercial Use

Outline Synu 6 is a very light, wide, low contrast, upright, normal x-height font.

Keywords: headlines, posters, packaging, invitations, logotypes, vintage, elegant, playful, decorative, airy, decorative display, vintage revival, airy emphasis, ornamental serif, inline, bracketed serif, transitional, rounded terminals, open counters.


Free for commercial use
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This typeface is an outline serif with an additional inner contour that creates an inline, hollowed look throughout. Letterforms are generously proportioned with a broad, open stance and smooth, rounded curves, paired with bracketed serifs and softly tapered joins. The stroke treatment stays even and delicate, relying on clear outer silhouettes and consistent inner drawing to define weight and rhythm. Numerals and capitals echo the same formal structure, while the lowercase shows a slightly livelier, oldstyle-leaning texture with comfortable counters and flowing shoulders.

Best suited to display typography where the outline and inline details have room to register—headlines, posters, title treatments, and branding applications. It can work well for packaging, menus, or event collateral where a vintage-elegant mood is desired, especially when paired with solid text faces for body copy and supporting information.

The overall tone feels refined and slightly nostalgic, like a contemporary take on classic book and display serifs rendered as a light, airy outline. The inline detailing adds a decorative sparkle that reads as elegant at large sizes, while the rounded curves keep it approachable rather than severe. It can suggest vintage signage, editorial flair, or a whimsical, storybook character depending on context and spacing.

The design appears intended to translate a traditional serif structure into a decorative outline treatment that remains legible and well-proportioned. By maintaining classical proportions and adding a consistent inner contour, it aims to deliver a light, ornamental presence for attention-grabbing typographic moments without resorting to heavy stroke contrast.

The outline construction benefits from ample size and contrast against its background; at smaller sizes the interior contouring may visually merge, while at larger sizes it becomes a defining feature. Curved letters (C, G, O, Q) and rounded lowercase forms show particularly consistent contour spacing, which helps the design feel cohesive across the character set.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸