Sans Other Tihy 10 is a regular weight, very narrow, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, titles, signage, industrial, art-deco, futuristic, mechanical, minimalist, display impact, retro futurism, deco revival, graphic texture, space saving, condensed, monoline, vertical, geometric, segmented.
A tall, condensed display sans built from straight, monoline strokes with an emphatically vertical rhythm. Many forms are constructed from split stems and segmented curves, creating narrow internal counters and a ribbed, stencil-like feel in places. Terminals are crisp and squared, with small horizontal joins used sparingly; overall geometry reads as rectilinear with occasional rounded corners implied by short offset segments rather than continuous curves. Spacing appears tight and the texture is stripey and high-contrast in silhouette, favoring headline use over extended reading.
This design performs best in large sizes for headlines, posters, title cards, and branding marks where its narrow footprint and striped rhythm can become a graphic element. It can also work for signage or packaging accents when a retro-tech or Deco-inspired voice is needed, but its segmented details make it less suitable for long passages at small sizes.
The font conveys a sleek, engineered tone with strong Art Deco and sci‑fi signage associations. Its segmented construction feels mechanical and intentionally stylized, suggesting speed, precision, and a retro-futurist mood rather than neutrality.
The likely intention is to create a condensed, high-impact display sans with a distinctive split-stroke construction—balancing legibility with a strong decorative system. The design leans into verticality and modular segmentation to produce a memorable, architectural texture across words and lines.
The alphabet shows consistent vertical proportions across capitals and lowercase, with distinctive, simplified bowls and diagonals that keep letters recognizable despite the extreme condensation. Numerals follow the same split-stem logic, producing a cohesive set that looks suited to display typography where a striking, linear pattern is desirable.