Sans Faceted Jine 9 is a regular weight, very wide, low contrast, upright, normal x-height font visually similar to 'Elogium Pro', 'Kashi', and 'Pasargad' by Naghi Naghachian (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming, ui labels, techno, industrial, futuristic, mechanical, game ui, sci‑fi styling, machined geometry, interface clarity, display impact, octagonal, angular, chamfered, modular, geometric.
This typeface is built from straight strokes and clipped corners, replacing curves with crisp chamfers that create an octagonal, faceted silhouette throughout. Strokes are monoline and uniform, with squared terminals and frequent diagonal cuts at joins and corners, giving letters a machined, panel-like feel. Counters tend toward rectangular forms (notably in C, O, D, and 0), and diagonals in A, K, V, W, X, and Y are clean and assertive. Spacing reads open and orderly in the sample text, with consistent rhythm and clear separation between characters.
Well-suited for headings, branding marks, and short-form display text where its angular construction can set a strong, tech-forward identity. It also fits interface titles, game UI, packaging, and signage-style applications that benefit from a geometric, machined look; for long passages, it will be most comfortable at larger sizes.
The overall tone is distinctly technological and engineered, evoking digital hardware, sci‑fi interfaces, and industrial labeling. Its sharp geometry and clipped corners suggest precision, speed, and a slightly aggressive edge, while the even stroke weight keeps the voice controlled and utilitarian rather than decorative.
The design appears intended to translate a geometric sans into a faceted, hard-edged system, prioritizing consistent chamfers and rectilinear counters to create a cohesive, futuristic voice. Its construction suggests a focus on clarity and impact in display contexts while maintaining straightforward, even stroke behavior for legible text setting at moderate sizes.
The numerals follow the same faceted construction, with squared bowls and angled corner cuts that help maintain a unified system across letters and figures. Round characters (like O/0) are intentionally polygonal, and the uppercase set feels especially display-forward due to its broad, planar construction.