Sans Contrasted Obfy 11 is a regular weight, narrow, high contrast, upright, normal x-height font.
Keywords: editorial, book text, headlines, print design, branding, formal, literary, classic, crisp, elegant, editorial clarity, classic tone, refined contrast, print elegance, flared, tapered, calligraphic, bookish, refined.
This typeface shows sharply tapered strokes with pronounced thick–thin modulation and crisp terminals, giving letters a sculpted, inked-on-paper feel. Curves are smooth and controlled, while straight stems stay firm and vertical, producing a steady rhythm across text. Many strokes finish with subtle flaring rather than blunt cuts, and the counters are relatively open, helping forms stay clear despite the contrast. The overall proportion is compact and text-like, with a clean, disciplined skeleton and a slightly lively, calligraphic stroke behavior.
It performs well in editorial contexts such as magazines, essays, and book interiors where a refined, high-contrast texture is desirable. The distinctive stroke modulation also supports display use—chapter openers, pull quotes, or headlines—when a classic, cultivated voice is needed. For branding, it fits identities that want a literate, premium impression, especially in print-forward applications.
The font conveys a composed, editorial tone—confident and traditional without feeling ornamental. Its contrast and tapered finishing create an elegant, slightly dramatic color that reads as literary and authoritative, suited to polished, print-minded typography.
The design appears intended to merge a clean, modern letter structure with calligraphic contrast and subtly flared terminals, producing a readable text face with elevated sophistication. It prioritizes a crisp page color and a traditional tone while keeping forms disciplined and consistent for continuous reading.
In the sample text, italics stand out with a more flowing, angled movement that contrasts nicely against the upright roman, suggesting a cohesive text family voice. Numerals appear lining and proportional, matching the text rhythm rather than aiming for a strictly tabular feel.