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Free for Commercial Use

Sans Normal Tynih 1 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'BR Segma' by Brink, 'Brendiva' by Digitype Studio, 'CF Asty' by Fonts.GR, and 'Remixa' by Narrow Type (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logos, confident, punchy, modern, friendly, graphic, impact, clarity, personality, brandability, display, rounded, crisp, ink-trap, sheared terminals, sturdy.


Free for commercial use
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A heavy, geometric sans with rounded bowls and a compact, poster-ready color. Strokes are clean and predominantly monoline, but many joins show sharp, triangular cut-ins that read like ink-traps or chiseled notches, adding crisp texture at counters and intersections. Round letters (O, C, G, 0) are near-circular with smooth curvature, while diagonals and terminals often end in slightly angled, wedge-like shapes that increase bite and definition. The lowercase shows simple, sturdy construction with single-storey forms (notably a and g), a compact ear on g, and a tall, minimal t; numerals are broad and bold with large counters (8) and simplified geometry.

Best suited to display work where its bold mass and distinctive cut-in details can be appreciated: headlines, posters, brand marks, packaging, and impactful UI or social graphics. It can work for short subheads and callouts, but the strong internal notches and weight make it less ideal for long-form reading at small sizes.

The overall tone is assertive and contemporary, balancing friendly roundness with edgy, cut-in details. It feels energetic and attention-grabbing—more headline and branding than quiet text—while retaining a clean, modern sensibility.

The design appears intended to deliver a modern geometric sans voice with extra personality and clarity under heavy weight, using ink-trap-like cut-ins and angled terminals to keep forms crisp and recognizable in large, high-impact typography.

Distinctive notches appear in several glyphs (e.g., around junctions in R, K, S, and some lowercase), creating a recognizable rhythm in word shapes at larger sizes. The design keeps spacing relatively open for such a heavy weight, helping counters stay clear in dense settings.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸