Sans Superellipse Abdum 3 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Allrounder Grotesk Condensed' by Identity Letters, 'Otoiwo Grotesk' by Pepper Type, and 'Vinila' by Plau (names referenced only for comparison).
Keywords: ui design, branding, product design, signage, editorial, clean, modern, friendly, neutral, technical, modern utility, approachability, geometric clarity, system consistency, text readability, geometric, rounded, open apertures, even rhythm, high legibility.
A geometric sans with softly squared, superellipse-like curves and consistently rounded corners. Strokes are monolinear with clean terminals, and the overall construction favors simple, rational shapes over calligraphic modulation. Uppercase forms are broad and stable, while lowercase shows clear, compact structures with a single-storey “a” and “g,” open counters, and straightforward bowls. Numerals follow the same rounded-rect geometry, reading crisp and orderly with minimal stylistic quirks.
This font suits interface typography, dashboards, and web/app UI where consistent rhythm and clear counters help readability. Its rounded geometric construction also works well for contemporary branding, product packaging, and headings, and it can hold up in signage thanks to its sturdy, simplified forms.
The tone is contemporary and approachable, pairing a technical, engineered neatness with gentle softness from the rounded geometry. It feels neutral enough for general UI and product communication, while still projecting a slightly “designed” modernity rather than anonymous grotesk plainness.
The design appears intended to deliver a modern geometric sans that remains friendly and highly legible by combining rational proportions with softened, rounded-rectangle curves. It aims for a versatile, system-ready look that stays polished in both display lines and running text.
The design maintains a steady texture in text, with smooth curves and controlled joins that keep paragraphs looking even. Round letters (C, O, S) lean toward a squarish oval, and diagonals (V, W, Y) are clean and sturdy, reinforcing a precise, system-like voice.