Sans Superellipse Walu 2 is a bold, very wide, monoline, upright, normal x-height font visually similar to 'Durandal' by Aerotype (names referenced only for comparison).
Keywords: headlines, logos, posters, gaming, tech branding, futuristic, tech, industrial, retro, display impact, sci-fi tone, geometric consistency, modular construction, rounded, squared, modular, geometric, boxy.
A geometric sans built from rounded-rectangle forms and smooth, squared curves, with consistent stroke thickness and broad proportions. Corners are heavily radiused, counters are mostly rectangular with softened edges, and terminals tend to finish flat, reinforcing a modular, engineered feel. The lowercase is compact and structured, with single‑storey a and g and minimal contrast; joins and diagonals are simplified to keep shapes crisp at display sizes. Figures and capitals follow the same rounded-square logic, producing a uniform, cohesive rhythm across the set.
Best suited to headlines, branding, UI titling, packaging, and poster work where a futuristic, geometric voice is desired. It also fits gaming, esports, and hardware/technology themes, and can work well for signage-like applications when set with generous tracking and spacing.
The overall tone is futuristic and technical, evoking sci‑fi interfaces, arcade-era display lettering, and industrial signage. Its wide stance and squared softness feel confident and machine-made, more about impact and clarity than warmth or calligraphic nuance.
The design appears intended to deliver a strong, modern display voice using a consistent rounded-square construction. By prioritizing modular geometry, flat terminals, and simplified joins, it aims for high impact and a distinctive techno aesthetic that stays coherent across letters and numerals.
Distinctive internal cutouts and squared counters create strong negative-space patterns, especially in letters like E, F, S, and the numerals. The design favors stylized geometry over conventional text proportions, so dense paragraphs can feel visually assertive, while headlines and short lines read as clean and intentional.