Sans Faceted Gera 3 is a light, normal width, low contrast, italic, normal x-height font visually similar to 'Refinery' by Kimmy Design (names referenced only for comparison).
Keywords: headlines, logos, posters, sports branding, tech ui, futuristic, technical, sporty, mechanical, angular, speed cue, tech aesthetic, geometric system, display impact, industrial tone, faceted, chamfered, octagonal, monoline, oblique.
This typeface is a faceted, oblique sans with monoline strokes and consistently chamfered corners that replace most curves with short planar segments. Forms lean forward with a steady, engineered rhythm, combining straight stems with clipped terminals and angular joins. Counters in letters like O, D, and P read as rounded-rectangular/octagonal shapes, while diagonals (A, K, V, W, X, Y) are crisp and taut. Figures follow the same geometry, with segmented bowls and squared-off turns that keep the overall texture even and tightly controlled.
It suits display applications where an angular, high-tech voice is desired, such as headlines, logos, posters, and sports or performance-oriented branding. It can also work in UI labels and product titling when a clean, geometric, forward-leaning texture is beneficial, especially at medium to large sizes where the faceting reads clearly.
The overall tone feels futuristic and technical, with a motorsport or sci‑fi signage energy. Its sharp facets and forward slant convey speed and precision, suggesting engineered products, interfaces, and performance branding rather than casual or handwritten warmth.
The design appears intended to translate a geometric, machine-made language into an italic sans, using consistent chamfers and segmented curves to evoke speed, modernity, and precision. The letterforms prioritize a uniform, engineered silhouette across cases and numerals to keep the system cohesive in branding and short text.
The design maintains a coherent corner treatment across uppercase, lowercase, and numerals, giving mixed-case text a unified, modular feel. The italic construction appears drawn rather than merely slanted, with angular modulation in places where many italics would use smoother curves, reinforcing the faceted aesthetic.