Inline Irzi 6 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Mako' by Deltatype, 'Authority' by RetroSupply Co., 'Beachwood' by Swell Type, 'Bryson' by Valentino Vergan, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: sports branding, posters, headlines, team apparel, packaging, sporty, retro, energetic, assertive, industrial, impact, speed, dimensionality, compactness, display, angular, slanted, blocky, faceted, condensed.
A condensed, strongly slanted display face built from heavy, angular strokes with chamfered corners and a faceted, almost octagonal construction. Stems and curves are largely straightened into geometric segments, producing a taut, mechanical rhythm. An inline cut runs through the black letterforms as narrow negative channels, adding depth and motion while keeping the silhouettes bold and compact. Counters are small and squared-off, with uniform stroke weight and tight internal space that reads best at larger sizes.
This font performs best in attention-grabbing applications such as sports identities, event posters, bold editorial headlines, and high-impact merchandise graphics. It also suits packaging and product marks where a compact, aggressive wordshape and a built-in inline accent can carry the design without additional effects.
The overall tone is fast, forceful, and sporty, with a retro-technical edge. The slant and carved inline detailing suggest speed and impact, giving it a competitive, headline-driven personality rather than a quiet or literary one.
The design appears intended to deliver maximum impact in a condensed footprint while adding dimensional interest through an inline carve. Its faceted construction and forward slant aim to communicate speed, toughness, and a streamlined, industrial precision.
Caps and figures share the same chiseled, stencil-like geometry, helping numerals feel signage-ready and consistent with the letters. The inline detailing is prominent enough to become a key texture, so dense paragraphs can look busy, while short phrases gain a distinctive, energetic sparkle.