Slab Square Subun 14 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'FS Silas Slab' by Fontsmith, 'Gaspo Slab' by Latinotype, 'Prelo Slab Pro' by Monotype, 'Metronic Slab Pro' by Mostardesign, and 'LFT Etica Sheriff' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, editorial pull quotes, confident, athletic, retro, editorial, boldly classic, impact, emphasis, forward motion, rugged display, slab serif, bracketless, blocky, upright stress, strong serifs.
This typeface is a heavy, right-slanted slab serif with broad, flat-ended serifs and sturdy, block-like joins. Strokes are thick and even, producing a compact, dark texture with minimal modulation, while the italic angle adds forward momentum without turning into a cursive structure. Letterforms feel wide-set and stable, with large, squared serifs on capitals and firm, blunt terminals throughout. The numerals match the overall weight and stance, with the same strong, squared detailing that keeps the set visually unified.
It works best for headlines, posters, and other display settings where a dense, forceful texture is desirable. The forward-leaning stance and slab structure also suit sports or team-style branding, impactful packaging, and emphatic editorial elements such as pull quotes and section openers.
The overall tone is assertive and energetic, combining a traditional slab-serif backbone with a sporty, headline-ready slant. It reads as confident and slightly nostalgic, evoking classic print and display typography while staying direct and functional.
The design appears intended to deliver maximum presence with a rugged slab-serif silhouette, using an italic angle to add urgency and emphasis. Its consistent, blocky construction suggests a focus on clarity and punch in display-driven contexts.
In text, the heavy weight and tight internal counters create a punchy, high-impact rhythm best suited to larger sizes. The italic slant provides emphasis and motion, making the face especially effective for short, emphatic lines where the strong serifs can carry the design.