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Free for Commercial Use

Sans Other Nyfo 6 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Stallman' and 'Stallman Round' by Par Défaut (names referenced only for comparison).

Keywords: game ui, headlines, posters, logos, packaging, arcade, tech, retro, industrial, bold, retro tech, modular display, high impact, screen aesthetic, blocky, geometric, angular, square, pixel-like.


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A heavy, block-constructed sans with squared geometry and crisp right-angle corners throughout. The forms are built from thick, rectangular strokes with minimal modulation, producing a compact, grid-like rhythm and pronounced ink traps/notches in several joins. Counters are generally small and rectangular, and terminals end bluntly, reinforcing a mechanical, modular feel. Lowercase follows the same architecture with simplified, boxy bowls and short ascenders/descenders, and numerals match the squared, cut-in style for consistent texture across mixed text.

Best suited to display contexts where high-impact, graphic lettering is needed: game titles and UI elements, tech/retro branding, posters, and bold logo wordmarks. It also works well for short labels on packaging or merchandise where its modular, blocky silhouette can be read quickly at larger sizes.

The overall tone is assertive and machine-made, with a distinctly retro-digital flavor reminiscent of arcade graphics, early computing, and industrial labeling. Its rigid construction and dense black presence read as energetic and tough, prioritizing impact over softness or nuance.

The design appears intended to evoke modular, screen-like construction while retaining recognizable Latin letter shapes for punchy display typography. It balances strict right-angle geometry with strategic cut-ins to keep counters open enough for legibility in all-caps and mixed-case settings.

The typeface maintains a strong horizontal emphasis and a tight internal spacing impression due to small counters and deep rectangular cutouts. The squared punctuation and the angular, segmented diagonals contribute to a deliberately synthetic voice that stays consistent from display caps to running sample lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸