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Free for Commercial Use

Cursive Gylag 3 is a very light, narrow, low contrast, italic, very short x-height font.

Keywords: invitations, branding, packaging, social posts, quotes, airy, graceful, intimate, delicate, poetic, handwritten elegance, signature look, personal tone, fine-pen feel, monoline, slanted, loopy, hairline, calligraphic.


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A hairline, monoline script with a consistent rightward slant and a lightly calligraphic rhythm. Letterforms are built from long, continuous strokes with open bowls and generous entry/exit terminals, giving the alphabet a flowing, lightly looped structure. Ascenders and descenders are notably long relative to the lowercase bodies, and spacing remains open enough to keep the thin strokes from collapsing in text. Capitals are taller and more expressive, often formed with single sweeping gestures that read as elegant initials rather than rigid forms.

This font suits applications that benefit from an elegant handwritten feel, such as invitations, greeting cards, personal stationery, boutique branding, and lifestyle packaging. It also works well for short headlines, pull quotes, and signature-style accents in editorial or social graphics where its thin, flowing strokes can remain clear.

The overall tone feels quiet and personal, like neat handwritten notes made with a fine pen. Its airy line weight and elongated loops give it a refined, romantic sensibility without becoming ornate. The rhythm is relaxed and fluid, creating a gentle, contemporary handwritten character.

The design appears intended to capture the look of fine-pen cursive: smooth, continuous gestures, understated stroke modulation, and expressive capitals that provide a signature-like flourish. It prioritizes elegance and a personal tone over bold display impact, aiming for a refined handwritten voice in modern layouts.

The numerals and uppercase show the same slender stroke logic and slanted posture as the lowercase, maintaining a cohesive handwriting voice across sets. Because the strokes are extremely thin, the design reads best when given room—both in size and in line spacing—to preserve its light, handwritten texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸