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Slab Contrasted Pyje 8 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Bluteau Slab' and 'Miura Slab' by DSType, 'Clab' by Eko Bimantara, 'Certo' and 'Prelo Slab Pro' by Monotype, 'Exo Slab Pro' by Polimateria, 'Quadon' by René Bieder, and 'Netra' by Sign Studio (names referenced only for comparison).

Keywords: posters, headlines, signage, branding, packaging, western, vintage, poster, collegiate, industrial, impact, vernacular, heritage, legibility, display, blocky, bracketed, sturdy, compact, ink-trap hints.


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A heavy, block-driven slab serif with broad proportions and pronounced, squared serifs that read as sturdy and architectural. Strokes stay largely even, with subtle internal shaping and occasional cut-in corners that suggest ink-trap-like notches at joins and tight counters. Terminals are mostly flat and abrupt, producing a strong horizontal rhythm, while rounds (C, O, Q, 6–9) are generously full but still constrained by a squared, sign-painter sensibility. Lowercase forms are robust and workmanlike, with a single-storey a and g and compact apertures that emphasize mass and solidity.

Best suited to display settings such as posters, large headlines, signage, labels, and packaging where a bold, rugged voice is needed. It can also work for short subheads or callouts when paired with a calmer text face to manage overall density.

The tone is bold and declarative, evoking vintage American vernacular—part western wood type, part collegiate headline. It feels confident, utilitarian, and a bit nostalgic, with a rugged, print-forward presence that suits attention-grabbing messaging.

The likely intent is a high-impact slab serif built for immediate legibility and character at distance, drawing from wood-type and traditional print aesthetics. Its squared serifs, compact counters, and sturdy construction aim to deliver a strong, dependable typographic stamp for branding and display typography.

The design’s strong slabs and tight interior spaces make it most comfortable at larger sizes, where the notches and internal shaping become clear and the heavy color reads as intentional rather than dense. Numerals match the letterforms in weight and footprint, reinforcing a consistent, poster-ready texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸