Sans Superellipse Nudew 2 is a bold, wide, medium contrast, italic, tall x-height font.
Keywords: headlines, sports branding, esports, posters, logos, sporty, futuristic, technical, energetic, assertive, speed, impact, modernity, tech tone, display clarity, rounded corners, oblique, geometric, extended, soft-rectilinear.
This typeface is a heavy, extended oblique sans built from rounded-rectangle and superellipse-like curves. Strokes are consistently thick with softened corners and squared-off terminals, producing a smooth, engineered silhouette rather than sharp calligraphy. Counters tend toward rectangular ovals, and curves connect with tidy, controlled transitions that keep the rhythm even across uppercase, lowercase, and numerals. The overall spacing and proportions read compact vertically but generous horizontally, giving lines a fast, forward-leaning flow.
Best suited for short-to-medium display text such as headlines, branding, posters, and product or team marks where a fast, performance-driven tone is desirable. It also works well for UI-style titles, labels, and numeric callouts that benefit from sturdy, rounded-rect letterforms.
The combination of broad proportions, soft-rectilinear curves, and strong oblique slant conveys speed and performance with a modern, tech-leaning attitude. It feels confident and streamlined—more like motorsport signage or sci‑fi UI than neutral editorial typography.
The design appears intended to deliver a streamlined, contemporary display voice that reads as fast and engineered. By combining extended proportions with rounded-square geometry and a pronounced oblique angle, it aims to stay bold and legible while projecting motion and modernity.
Lowercase forms keep a utilitarian, single-storey feel with simplified joins, while uppercase shapes maintain a clean geometric consistency. Numerals match the same rounded-rect geometry, supporting a cohesive voice in data-heavy settings. The design’s strong slant and wide stance make it most effective at display sizes where its corner rounding and counter shapes can be clearly perceived.