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Shadow Wani 3 is a light, normal width, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, album covers, event flyers, industrial, retro, techy, mechanical, playful, dimensional effect, graphic identity, stencil look, attention grab, stenciled, cutout, angular, layered, notched.


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A sharp, modular display face built from simplified geometric skeletons with frequent internal cut-outs and deliberate gaps. Strokes are generally straight and brisk, with rounded corners appearing selectively in bowls and terminals, creating a crisp but not overly rigid silhouette. Many letters include offset fragments and separated segments that read like a built-in shadow or secondary layer, producing a stepped, dimensional rhythm without becoming fully outlined. The overall spacing and proportions feel compact and engineered, with distinctive, notched joins and occasional diagonal strokes that add energy to otherwise blocky forms.

This design suits display-driven applications such as posters, headlines, logotypes, and packaging where its layered cut-out look can be appreciated. It also fits game, sci‑fi, and industrial-themed graphics, as well as merchandise and album or event branding. For longer reading, it works best as short bursts of text at larger sizes.

The cut-out construction and shadow-like offsets give the font an industrial, retro-futurist tone—part sign stencil, part arcade-tech graphic. It feels mechanical and attention-seeking, with a slightly mischievous edge from the broken strokes and unexpected gaps. The result is bold in personality even while remaining relatively light in texture.

The font appears intended to blend a stencil-like, cut construction with a built-in shadow layer to create depth and motion using negative space. Its simplified geometry suggests a focus on graphic repeatability and strong visual identity rather than neutral readability.

In text, the repeating cut patterns create a strong horizontal cadence, but the segmented details can reduce clarity at small sizes or in dense paragraphs. The numerals and capitals carry the most impact, while lowercase forms keep the same fractured logic for consistent texture. Best results will come from generous size and careful tracking to prevent interior gaps from visually clogging.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸