Sans Superellipse Asked 3 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: ui labels, editorial, branding, signage, presentations, clean, airy, modern, calm, precise, modernization, clarity, approachability, systematic geometry, minimalism, monoline, rounded, geometric, open, minimal.
A monoline sans with softly squared, superelliptical curves and consistently rounded corners across bowls and terminals. Strokes stay even and delicate, with a smooth, engineered feel rather than calligraphic modulation. Counters are open and generously sized, and curves transition into straights with controlled, tidy joins. Uppercase forms read simple and geometric (notably the round letters), while lowercase includes single-storey a and g, a straight, minimal t, and a small-shouldered r that keeps the rhythm light and uncluttered. Numerals follow the same thin, rounded-rectangle logic, with broad, open shapes and understated detailing.
Works well for interface typography, product and tech branding, and clean editorial layouts where a light, refined texture is desired. It also suits wayfinding or signage at moderate sizes, and performs nicely for large-format headlines where the rounded-rect geometry becomes a recognizable visual motif.
The overall tone is quiet and contemporary, projecting clarity, restraint, and a slightly futuristic polish. Its rounded-rect geometry feels friendly without becoming playful, giving it an approachable, tech-forward neutrality suited to clean interfaces and modern branding.
Likely drawn to combine geometric discipline with softened corners for a modern, approachable sans that stays understated. The consistent superelliptical construction suggests an intention toward systematic shapes and a sleek, contemporary reading experience in both display and text contexts.
The design emphasizes smooth curvature and consistent corner radii, creating a coherent texture in paragraph settings. The light stroke and open apertures keep words from looking dense, while the squared-round construction gives the line a subtle, distinctive signature compared with purely circular geometric sans faces.